Sophie Gengembre Anderson (1823 - 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. Sophie was born in Paris, the daughter of Charles Gengembre, an architect, and his English wife. She had two brothers, Philip and Henry P. She was largely self-taught in art, but briefly studied portraiture with Charles de Steuben in Paris in 1843. The family left France for the United States to escape the 1848 revolution, first settling in Cincinnati, Ohio, then Manchester, Pennsylvania, where she met and married British genre artist Walter Anderson.   Related Paintings of Sophie Gengembre Anderson :. | Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things | No Walk Today | A Spring Beauty | Time Of The Lilacs | A Spring Beauty |
Related Artists:
MOSTAERT, Jan
Dutch Northern Renaissance Painter, ca.1472-1555
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
Jan Steen
Dutch Baroque Era Painter, ca.1625-1679 Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity. Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in textiles. Steen was prolific, producing about 800 paintings, of which roughly 350 survive. Steen's work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have any students, but his work proved a source of inspiration for many painters.